A visual artist might distort a shape, change a color, or rearrange objects in a work in order to create a more pleasing or evocative image. It does not excuse shoddy work.Ī lyricist, for example, might use the phrase "for you and I" instead of the correct form, "for you and me," in order to rhyme. ![]() Sometimes known as artistic license, dramatic license, poetic license (not to be confused with poetic justice), or narrative license, and so on, Creative License refers to a creator's freedom to ignore the conventions or rules that normally govern the art in which he or she works. I carry the wallet-size license with me at all times. And that interference in any form with his natural license represents and offense against all that makes life worth living." That has been my idea and expression of Creative License ever since I understood the term.Ī few years ago I began to make real, paper certificates, suitable for framing with a companion, wallet-size version. A striking example is how in simple cartoon drawings' monochromatic white parts on a dark colored surface are immediately recognized by most viewers to represent the reflection of light on a smooth or wet surface."Be it known to all that Peter Lloyd is now, has always, and will ever be empowered with the inherent ability to create whatever the heck he darn well pleases. It can also mean the addition of non-existing details, or exaggeration of shapes and colors, as in fantasy art or a caricature.Ĭertain stylizations have become fixed conventions in art an agreement between artist and viewer that is understood and undebatable. This can mean the omission of details, or the simplification of shapes and color shades, even to the point that the image is nothing more than a pictogram. Both of these are examples of artistic license.Īnother example of artistic license is the way in which stylized images of an object (for instance in a painting or an animated movie) are different from their real life counterparts, but are still intended to be interpreted by the viewer as representing the same thing. Conversely, on the next line, the end of "I come to bury Caesar, not to praise him" has an extra syllable because omitting the word "him" would make the sentence unclear, but adding a syllable at the end would not disrupt the meter. For example, Mark Antony's "Friends, Romans, Countrymen, lend me your ears" from Shakespeare's Julius Caesar would technically require the word "and" before "countrymen", but the conjunction "and" is omitted to preserve the rhythm. The artistic license may also refer to the ability of an artist to apply smaller distortions, such as a poet ignoring some of the minor requirements of grammar for poetic effect. It can include alteration of the conventions of grammar or language, or the rewording of pre-existing text. ![]() Artistic license (alongside more contextually specific derivative terms such as poetic license, historical license, dramatic license, narrative license, and creative license) refers to deviation from fact or form for artistic purposes.
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